CAT.NO: 12k2009
EDITION: 1000
RELEASE: APRIL 2008
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>> PDF TRACKS: 01 Everything's
Gone Grey
02 Northern
03 A Dead Yellow Carpet
04 Shell Shell Bye
05 Haze It May Be
06 November
Due
to continued demand for this title and the fact that the initial
pressing of 1,500 copies sold out in less than 6 months, 12k is
re-issuing Northern in an expanded package with re-mixed
and re-mastered audio.
the audio:
Not content to merely order a re-pressing of the same masters
on hand at the cd manufacturer, Taylor Deupree set out to create
what he calls the “director’s cut” of one of
the most important cds in his catalog. The idea was to open the
now-2-year-old computer files to re-mix and re-master the tracks.
Of course over the course of years computers change, formats change,
and Deupree found himself faced with missing plug-ins, errored
sound files and other oddities that made working with the files
difficult. What first seemed like roadblocks turned into a mission
to work with what was there and re-do what was not. The result
is a “Northern” that will, on the surface, seem quite
similar to the original, however listeners will hear new sounds,
extended endings, shortened endings and most of all, an overall
mix that presents these works with a new clarity and spaciousness.
Mastering in the analog domain has given the work a new found
sense of delicacy and detail.
the package:
A heavyweight cardboard wallet with debossed typography on the
front cover. Inside are two pockets, one for the CD and one for
a 24-page booklet of photography, credits, and lots of white space.
All printing, as with the original, is in black and white.
the original press release:
The inspiration behind Northern (including its music,
title and photography) comes from Deupree’s recent relocation
from the heart of urban activity in Brooklyn to the tranquility
of the forest in upstate New York. Inspired by nature and the
winter during which it was created, Northern, like much
of his recent work, explores Deupree’s interest in stillness
and a slowed sense of time. Through quiet textures, subtle movements,
faint loops and echoes, it was his goal to create the type of
music that comes naturally to him while also highlighting the
input from his dramatic new surroundings.
In contrast to the brazen repetition found on Stil.,
Northern more ephemeral approach to Deupree’s theme
comes from looking at the stillness found outside of his studio
windows: large, looming boulders, the softness of snow, and the
hushed whisper of wind and fallen leaves; it is a world of countless
tiny movements so active that an implied stillness results from
the din it creates.
Deupree’s earthbound ideas
in the album are rooted in his choice of sounds and studio practices.
His now-signature Kyma manipulations are still prominent, but
they have been applied to improvised electric piano, melodica,
guitar, and field recordings using techniques picked up from his
experimental/pop collaboration with Eisi (Every Still Day,
Noble Records, Japan, 2005). A careful balance is kept through
the layering of synthetic source tones of basic waveforms and
long, drawn-out, fragile swells. Northern is melodic,
warm and introspective, forming a bed of sound that is simultaneously
quiet and noisy, structured and unsettled, looping and chaotic.
Deupree has dedicated Northern
to his closest friend of his teenage years, Bryan Charles Strniste,
with whom he first started experimenting in electronic music over
20 years ago. Deupree’s relocation to a nearby area much
like the one where he grew up spurred memories of those days of
early musical playfulness. Thus, Northern became highly
personal and nostalgic while at the same time breaking into new
territory for Deupree, echoing the changes in his personal life.
Northern is the first solo
CD from Taylor Deupree since 2004’s January (Spekk,
Japan), and the first on 12k since the seminal Stil.
(12k, 2002).